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Freida Lock, Slave Quarters, Spier Farm, Stellenbosch / A Cape Dutch Homestead (back), 1946. Oil on canvas. (Courtesy of the Javett Foundation, Pretoria)
ALL IN A DAY S EYE THE POLITICS OF INNOCENCE

The politics of guilt and the violence of the archive

During the lockdown, artists must rethink their place in the system. Now is the chance to advocate and appreciate the human condition of being constantly and chaotically in flux

  • Thembeka Heidi Sincuba
10 min read